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            <title>Setting One Thing Straight</title>
            <description><![CDATA[Gentle readers, some of you may have read this morning Christopher Shea's essay in the <i>New York Times Book Review</i>, "<a href="http://www.nytimes.com/2010/09/05/books/review/Shea-t.html?_r=1&amp;ref=todayspaper">The End of Tenure?</a>"&nbsp; <br /><br />Some of you may even have observed the growing frustration with the privilege of tenured workers "on numerous blogs and op-ed pages."&nbsp; Some of you may have nodded in recognition at the sketch Shea relates:&nbsp; according to the increasingly popular notion, we tenured elites "are guaranteed jobs for life, teach only a few hours a week, routinely get entire years off, dump grading duties onto graduate students and produce" obscure research, or even "stop doing research altogether . . . dropping their workweek to a manageable dozen hours or so, all while making $100,000 or more a year."<br /><br />Gentle readers:&nbsp; I wish.<br /><br />But how absurd.&nbsp; Only in a society with a strain of relentless anti-intellectualism would such a caricature take hold.<br /><br />As a counterexample, here is one person's story:&nbsp; mine.&nbsp; I hope other tenured professors will make theirs known.<br /><br />I am a first-generation college student, and my family neither valued college nor helped with my college expenses.<br /><br />After four years of undergraduate education, for which I went into debt despite scholarships, I was the fortunate recipient of a fellowship from Texas A&amp;M University.&nbsp; With a baby to raise, I lived in two rooms on the $10,000/year stipend, wrote a masters thesis on the poetry of Wallace Stevens, and earned my M.A.&nbsp; I had no car.&nbsp; I walked to school.&nbsp; I walked with my toddler to the laundromat.&nbsp; I walked to the grocery store.&nbsp; Et cetera.&nbsp; I finished my M.A. in two years.<br /><br />I was then happy to be made a teaching assistant, teaching a 2-2 load (two classes in the fall, two in the spring; 28 students per class) to the tune of $12,000 a year.&nbsp; For five years, we lived on that.&nbsp; I continued to take out student loans to pay for necessities and, later, for a Montessori daycare and then an Episcopalian private school for Grey, because the public school in our neighborhood was very weak.&nbsp; I put education first as a value, as a priority--and not as an upward-mobility strategy; rather, I valued critical thinking, a trained mind, thoughtful living.&nbsp; Period.&nbsp; I valued it for myself and I valued it for my son, and I willingly (and gratefully) took on debt to attain it.<br /><br />For a while at A&amp;M, I tutored in the Writing Center; I routinely worked with business and finance majors who received offers, fresh from their B.A.s, of $60,000 a year and upwards.<br /><br />I finished a Ph.D. with a scholarly dissertation in five years.&nbsp; (I believe the average is 7 years.) <br /><br />When I received one tenure-track job offer while finishing my final year of graduate school, I felt lucky.&nbsp; Many of the rejection letters, perhaps to soften the blow, included the numbers of applicants for the job.&nbsp; More than 200.&nbsp; More than 400.&nbsp; In one case, more than 600.&nbsp; I felt lucky to have any offers at all.&nbsp; This was after 11 years of higher education.<br /><br />My salary was $37,500 in my first year at Wabash College.&nbsp; By contrast, someone I knew well, who went to law school (a three-year postgraduate investment), began his first job at $85K.&nbsp; Year by year, merit review by merit review, I inched my salary up.&nbsp; I routinely worked 60- and 70-hour weeks; I taught free courses through the public library and through the Clemente Course program in order to help the community.&nbsp; I paid over $700 a month, every month, toward my own student-loan balance.&nbsp; But ten years later, chairing my department and teaching a 3-3 load, I still had not reached my friend's entry-level salary.&nbsp; <br /><br />And three years into teaching as a tenured associate professor at an R1 (a research 1 institution, the supposed grail, where we get to work with graduate students and teach a 2-2 load), I still have not.&nbsp; And that's okay.&nbsp; I'm happy.&nbsp; I feel lucky.&nbsp; I'm not in it for the money.&nbsp; Most of us aren't.&nbsp; <br /><br />Shea's piece quotes the blistering new book by Andrew Hacker, who claims that "today's senior professors can afford Marc Jacobs."&nbsp; Hardly.&nbsp; <br /><br />I started my teaching career in consignment wear, graduated to Target, and this year's big back-to-school expenditure consisted of two shirts and this thrilling sale purchase from Talbots:<br /><br /><pre><font style="font-size: 0.8em;">Item #  Description              Size              Color       Qty  Price<br />------  -----------------------  ----------------  ----------  ---  ---------<br />231642  Cardigan                 Misses L          PERIWINKLE   1 @ $14.49  Each<br />231642  Cardigan                 Misses L          PALM LEAF    1 @ $14.49  Each<br /></font></pre><br />Yep, thirty bucks plus shipping.&nbsp; And readers:&nbsp; my cardigans look pretty good.<br /><br />In seven months, I will have paid off my student loans.&nbsp; I will be 43.&nbsp; I am a tenured professor, I have never had a graduate student do my grading, and I have had exactly one year "off" (at half-pay, not full-pay--the standard deal) during my thirteen years of employment as a professor.&nbsp; (During that year, I wrote two books, one of which was <i>The Truth Book</i>, and the other is a still-unpublished scholarly volume.)&nbsp; Here at UNL, sabbaticals are competitive, not a given.<br /><br />I would not claim that there's no truth in the caricature.&nbsp; I would not claim that the pyramid scheme of classroom staffing (with a few tenured and tenure-track professors at the top and many underpaid TAs with 2-2 loads and adjuncts pulling 4-4 and 5-5 loads) doesn't deserve careful, thoughtful reform.&nbsp;&nbsp; I have always thought so. <br /><br />And there well may be deadwood in some departments.&nbsp; There well may be unproductive professors who are overpaid.&nbsp; <br /><br />But that has not been my experience, and it's not the story of the colleagues I see around me, who are hardworking, passionate teachers who care about students' progress and futures--and who have been vetted rigorously, year after difficult year.&nbsp; Remember, there's a severe weeding out:&nbsp; many graduate students don't make it to the Ph.D.; many Ph.D.s don't get a tenure-track job; many young professors on the tenure track are turned away, sometimes heartbreakingly, at their second-, fourth-, or tenure-year review.&nbsp; <br /><br />Say what you like about the foibles and excesses of tenured professors; they have <i>earned</i> it.&nbsp; From a huge and eager field of contenders, they are the ones whose teaching and research stood multiple tests.<br /><br />If anyone's handing out Marc Jacobs to professors, I'll be first in line.&nbsp; Until then, I have rewarding, challenging work that I love.&nbsp; I paid the price, and I'm not complaining.&nbsp; <br /><br />But I'm here to argue against these uninformed caricatures of what a tenured professor is and does.<br /><br />Consider the motives of those who attack higher education.&nbsp; By dismantling the one remaining arena where our educational system explicitly privileges critical thinking, discussion, informed debate, and original research over rote, to-the-test cramming, what do they stand to gain?&nbsp; By tapping into and channeling the justified anger of parents who've seen tuition payments climb--as we too saw, for our son (and we sucked it up, because education's what we value)--what long-term goals do they seek to achieve?&nbsp; <br /><br />Rather than "all but calling for an end to the role of universities in the production of knowledge," perhaps these tenure-bashing pundits (and frustrated parents) should call for colleges and universities to invest in <i>more</i> tenure lines, so that the vast bulk of undergraduate teaching would be done by carefully vetted experts who publish original research in their fields, not underpaid TAs and exploited, harried adjuncts.&nbsp; Those adjuncts should be given a shot at job security and fair compensation for their work--but until more tenure-line positions are approved, they can't be.&nbsp;&nbsp; <br /><br />It's the business model that dominates most universities, not individual professors who've struggled to navigate it, that should be taken to task. <br /><br />Be wary.&nbsp; That's all.&nbsp; Find out the facts for yourselves.&nbsp; If you know professors, ask them for their actual stories.<br /><br />If you are a professor, tell yours.&nbsp; Tell the public the truth about tenure.&nbsp;  <br />]]></description>
            <link>http://joycastro.com/2010/09/setting-one-thing-straight.html</link>
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            <pubDate>Sun, 05 Sep 2010 19:30:35 +0000</pubDate>
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            <title>Equality Issues</title>
            <description><![CDATA[After a long and fruitful week of getting up to speed in my new position over in Ethnic Studies and teaching my first session of a graduate workshop in memoir, I am looking forward to some kicking-back time tonight at 7 p.m. at <a href="http://www.indigobridgebooks.com/">Indigo Bridge Books</a>, swilling some ethical decaf and listening to a bunch of slam-winning young people, including one Grey Castro, perform their spoken-word poetry for us locals.<br /><br />I'm a little nervous.&nbsp; Among the pieces Grey's going to do is one about what it was like for him to read my memoir <i>The Truth Book, </i>something he put off for four years after its publication<i>, </i>aware that it probably wouldn't be pretty.&nbsp;<i> </i>Wise child.&nbsp; But he took the plunge, and responded with words.&nbsp; I've read a paper copy of the piece, and that alone was intense enough to leave me torn up for a while.&nbsp; It won Grey a slam in Ohio, so, though I'm obviously saturated with bias, I'm not the only one who thinks it's strong work.&nbsp; So this evening should be <i>interesting</i>.&nbsp; It's kind of a rare and special privilege to now be in a two-generation cycle of making art from hard things.<br /><br />On the topic of making art from hard things at a broader sociopolitical level, <i>i.e.</i>, surviving U.S. history, the inimitable Honorée Fanonne Jeffers posted <a href="http://phillisremastered.wordpress.com/2010/08/26/the-truth-about-women%E2%80%99s-equality-day/">a bracing piece</a> on why Women's Equality Day still doesn't feel so equal:<br /><br /><blockquote>So, I don’t celebrate Women’s Equality Day today, because contrary to popular mainstream American opinion, <em>Women</em> includes <em>all</em> American women, not just White ladies.<br /></blockquote><div align="left">Alyss Dixson's guest-post in <i>The Atlantic</i>'s blog, "<a href="http://www.theatlantic.com/culture/archive/2010/08/on-invisibility-gender-and-publishing/62146/">On Invisibility, Gender, and Publishing</a>," looks at how women's literary work fares in the world of publishing and prizes, and what women are doing about it.<br /><br />As far as how <i>this</i> woman's work is faring in the world of publishing, I received my contract for ISLAND OF BONES in the mail yesterday--hurray!&nbsp; But gentle readers, it looks like there's an error in it.&nbsp; A minor, dinky little error that, sigh, nonetheless means I can't just sign and be done, which I have <i>so</i> been looking forward to, because I don't like to celebrate until the ink is on the dotted line, and I do love to celebrate.&nbsp; Now:&nbsp; more waiting.&nbsp; C'est la vie.<br /></div><br /><br /><br /><br /> ]]></description>
            <link>http://joycastro.com/2010/08/equality-issues.html</link>
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                <category domain="http://www.sixapart.com/ns/types#category">gender</category>
            
                <category domain="http://www.sixapart.com/ns/types#category">race &amp; ethnicity</category>
            
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            <pubDate>Fri, 27 Aug 2010 15:25:39 +0000</pubDate>
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            <title>Late-Breaking Byatt</title>
            <description><![CDATA[Whoa!&nbsp; Thanks to the Handsome Husband for this link to <a href="http://www.guardian.co.uk/books/2010/aug/20/as-byatt-intellectual-women-strange">a story about A.S. Byatt</a>, who claimed that women who write novels of intellectual substance are seen as unnatural--and sparked a debate about it.&nbsp; Also note Ian Rankin on female crime writers and the Orange prize chair on women's "misery lit." ]]></description>
            <link>http://joycastro.com/2010/08/latebreaking-byatt.html</link>
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            <pubDate>Sat, 21 Aug 2010 19:26:57 +0000</pubDate>
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            <title>With Nothing Except Your Life</title>
            <description><![CDATA[Rest in peace, Abbey Lincoln.&nbsp; The jazz singer and civil-rights force passed away last Saturday; NPR ran a tribute that includes cuts from her music and great clips from two past interviews; you can read and/or listen <a href="http://www.npr.org/templates/story/story.php?storyId=129231169">here</a>.&nbsp; Lincoln has interesting things to say about artistic integrity and (heads-up, mujeres) about her own transformation from sexy supper-club commodity to "warrior woman."<br /><br />Moving into a semester of teaching memoir-writing to graduate students, I was particularly grateful for what Lincoln said about art and claiming the right to one's own voice:<br /><br /><br /><blockquote><blockquote>. . . "Oh, why don't you--why don't you shut up?"&nbsp; I think I've had that said to me more than anything else over the years when I was younger.&nbsp; "You talk too much."&nbsp; You know?&nbsp; "Don't rock the boat."&nbsp; Even though they're miserable--people are miserable--they'll tell you this.&nbsp; But you're not supposed to say anything about it.<br /><br />So when I discovered that there was the world of the artist, it saved my life, because I could strive to be individual and as best as I could be.&nbsp; I didn't have to have <i>money</i>.&nbsp;&nbsp; I didn't have to have anything except <i>my life</i>. <br /><br />And I went for that.&nbsp; And I'm glad I did.<br /><br /></blockquote></blockquote>Amen.&nbsp; Writers, artists, everyone:&nbsp; go for it, and be glad.<br /><br />I recently reread the three memoirs that my graduate workshop will be analyzing for craft strategies--Alice Sebold's <i>Lucky</i>, Rigoberto González's <i>Butterfly Boy</i>, and Kathryn Harrison's <i>The Kiss</i>--and
was knocked out all over again by their power.&nbsp; I picked books that
deal well with really hard, hard material--intimate, tricky stuff like
trauma, family, loss, shame, sex--because that's so much harder to
handle, for us as writers, than, oh, I don't know, cooking or traveling or learning to tango, all of which are fun and interesting and <i>can</i> take you to deep and difficult places but don't necessarily do so.&nbsp; I learn best from urgent, crucial, driven writing that sticks close to the bone, "words that," to quote Kay Boyle, "must somehow be said."&nbsp; <br /><br />And it's the <i>how</i> in <i>somehow</i> that we'll be analyzing in the workshop this fall.&nbsp; How does Sebold handle moments she can't fully remember, signaling to readers her lack of specific recall without breaking the flow of the scene?&nbsp; How does González use a real, literal journey to its fullest, richest advantage as an organizing structure?&nbsp; How does he handle shifts in time smoothly and clearly?&nbsp; How does he use descriptive language to suggest resonances between different characters, and how does he work on the page to be fair to the other people in his life?&nbsp; How does Harrison select details that function as object correlatives for the emotional story that's taking place?&nbsp; <br /><br />Can you tell I <i>love</i> these brave and brilliant books?&nbsp; Getting to talk about this stuff with smart, talented, eager people for three hours every week--and then talk about the students' own work!--is a gift.&nbsp; For a dayjob, it's definitely pretty great.<br /><br />In that regard, ladies and gents, I'm happy to say that THE DESIRE PROJECTS is finally <i>off my desk</i>.&nbsp; 408 pages of obsessively polished prose that publishing houses may or may not find desirable went into the mail to my agent on Friday--which is a great relief, since classes start on Monday.&nbsp; (When I have to say what I did last summer--and last summer, and the one before that--I'm just going to point mutely to that fat stack of paper.)<br /><br />The draft came super-fast:&nbsp; on April 1, 2008, I had 22 pages of notes that I'd been dinking around on for about a year, just this and that, sketches toward an outline.&nbsp; By June 10, I had 364 pages.&nbsp; Since then, it's been revision, revision, revision.&nbsp; Expand, cut, edit, polish.&nbsp; Repeat.<br /><br />And now it's that beautiful feeling, when the manuscript is out of my hands and out in the world.&nbsp; My agent and I haven't decided yet which publishers it will go to, but I'll be posting full reports here as the process unfolds this fall.&nbsp; (I'll try to keep my woes in check when those rejection letters arrive, but consider yourselves forewarned.)<br /><br />Adding to the cheerful chaos of back-to-school preparations, Greyby arrives tonight (from California--<i>by Greyhound</i>) and will be here with us until early September (when he leaves for Massachusetts--<i>by Greyhound</i>; don't ask, it's a carbon-emissions thing), so the rest of my Saturday will be devoted to cleaning, laundering linens, and hanging shiny gold papel picado all around the room where he'll sleep.&nbsp;&nbsp; The Handsome Husband is out stocking up on vegan cookies and other sundries Grey likes.&nbsp; Hurray!&nbsp; <br /><br />Ahhh.&nbsp; Family.&nbsp; The good kind.&nbsp; My two very favorite people in the world, right here with me, together for ten days.&nbsp; Forgive me if I look a little dreamy.  <br /><br /><br /> ]]></description>
            <link>http://joycastro.com/2010/08/with-nothing-except-your-life.html</link>
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            <pubDate>Sat, 21 Aug 2010 17:55:00 +0000</pubDate>
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            <title>Wake Up and Smell the Windmills, Already</title>
            <description><![CDATA[Nebraskans, other Midwesterners, bird-lovers, protectors of unique and fragile ecosystems:&nbsp; if you'd like a quick and painless overview of the ramifications of the proposed Keystone XL oil pipeline, you can read <a href="http://www.prairiefirenewspaper.com/"><i>Prairie Fire</i>'s recent piece</a> about it.<br /><br />Then, if you'd like to sign a petition against the pipeline, which will run for over 100 miles through the Nebraska Sandhills, go <a href="http://tinyurl.com/protectnebraska">here</a>.<br /><br />And if you'd also like to join with the League of Conservation Voters and the National Wildlife Federation in sending a message protesting the pipeline directly to President Obama, you can go <a href="http://action.lcv.org/site/R?i=J4HeWcTw3e2WfsZGD8IS2w">here</a>, too.  <br /> ]]></description>
            <link>http://joycastro.com/2010/08/the-keystone-xl-oil-pipeline.html</link>
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                <category domain="http://www.sixapart.com/ns/types#category">environment</category>
            
            
            <pubDate>Mon, 16 Aug 2010 21:42:32 +0000</pubDate>
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            <title>Gender and Your Literary Work</title>
            <description><![CDATA[Will flowers on the cover of your novel prevent it from being considered for literary prizes?&nbsp; If your focus and setting are domestic, will critics be surprised when your book turns out to be textured and intelligent?&nbsp; Novelist <a href="http://www.dianemeier.com/">Diane Meier</a> surveys the field in "<a href="http://www.huffingtonpost.com/diane-meier/chick-lit-womens-literatu_b_678893.html">Chick Lit?&nbsp; Women's Literature?&nbsp; Why Not Just . . . Literature?</a>":<br /><br /><blockquote><blockquote>
Still, if Tom Wolfe had written "The Recessionistas," <em>he </em>would
have noted the brands of shoes, the Birkin bags and the personal
trainers. And he would have been praised for his attention to detail. . . . <br /><br />
But my concern is larger, for the issue is insidious: the way Chick Lit
has been used to denigrate a wide swath of novels about contemporary
life that happen to be written by women.<br /><br />
If you think it's not affecting our work, not affecting what the
publishers are handed, not affecting the legacy we leave for future
generations, you're wrong. <br /></blockquote></blockquote>Meier fillets the reviews of her own book, <a href="http://www.amazon.com/dp/0805090819/?tag=headbutlercom-20"><i>The Season of Second Chances</i></a>, which assessed it in terms
of how well it conformed to or diverged from the conventions of chick-lit, as though chick-lit were itself the new neutral, the norm to which every book authored by a woman must be compared.&nbsp; <br /><br />It's enough to make one wistful for the days when a pseudonym--Acton Bell, George Eliot, Anonymous--could cocoon a book in a sheltering layer of seriousness.&nbsp; <br /><br />And what does <i>that</i> say about the state of things in 2010? <br /><br /><span class="mt-enclosure mt-enclosure-image"><img alt="" src="http://joycastro.com/cover_season.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="365" width="240" /></span>&nbsp;  <br /><br /><br /><br />
 
 <br /><br /> <div><br /></div>]]></description>
            <link>http://joycastro.com/2010/08/gender-and-your-literary-work.html</link>
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            <pubDate>Thu, 12 Aug 2010 16:00:29 +0000</pubDate>
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            <title>The Big Push</title>
            <description><![CDATA[<i>The Big Sleep</i>, <i>The Big Clock</i>, <i>The Big Knockover</i>:&nbsp; noir novels seem to flourish under titles that start with "The Big," so I'm titling this post "The Big Push."&nbsp; Here's why.&nbsp; My clever and dashing agent has deemed THE DESIRE PROJECTS a hair's breadth from being done, and I have until September 6th, Labor Day, to labor over the final changes.<br /><br />Unto everything there is a season--including, apparently, submissions to publishing houses, and right after Labor Day is when scads of big, exciting projects go out.&nbsp; Color me tickled that said agent believes THE DESIRE PROJECTS fits that bill.&nbsp; Fingers crossed, y'all.&nbsp; <br /><br />However, while to most people a September 6th deadline would seem to offer leisure and luxury, school starts sooner.&nbsp; Numerous non-optional "retreats" (a misnomer that always kills me) begin even sooner than that, and I still have a syllabus to write and a new position--Associate Director of Ethnic Studies, yey!--to gear up for.&nbsp; And so, gentle readers, I've been lately immersed in <i>the big push</i>, and I'm trying to finish up revisions <i>tonight</i>.&nbsp; (Before <i>Mad Men</i>, if I'm lucky and good.) <br /><br />In the little gaps between polishing new scenes and scrubbing old ones, I've been thinking about the vexed relationship among political mandates, ideology, and writing--and by <i>writing</i>, I mean writing as art, not writing as opinion pieces or rhetorical arguments or book reviews or blog posts, but as The Real Thing, the kind we sit down to make with our hearts in our hands.&nbsp; I've been thinking about the difficult, ongoing necessity of carving out a safe, protected space for that kind of writing, a space for it to be what <i>it</i> wants to be, rather than to fulfill our agenda for it.&nbsp; <br /><br />If that makes half an ounce of sense.<br /><br />This passage, from an essay called, "The Long Haul" by Stacy D'Erasmo, is vastly clearer on the topic, and it seems worth quoting in full:<br /><br /><blockquote><blockquote>&nbsp;. . . I have also begun to believe that the writer who continues to write,
and to write well, to write deeply, often finds that she quietly, year
by year, constructs a system of values that is by nature resistant.
It’s not that one sets out to do this, exactly; but it happens, it
accretes, as the choices the world offers inevitably arise. It may
begin as an uncomfortable awareness, a prickling, even a sinking
feeling. But you know it. You see the deal. You hesitate, almost
wishing you didn’t know what you know, which is something along these
lines: You cannot continue to write well if you believe that money is
the measure of a person’s worth. You cannot continue to write well if
you believe that critical consensus is the measure of an artist’s
worth. You cannot continue to write well if you are protecting your
family, your children, your community, or your social position. You
cannot continue to write well if you don’t believe in the value of art
as such—as itself—not in the service of some greater cause or system or
set of beliefs, whether those beliefs fall to the right or the left or
rise to the more spiritual realms above. You can write well without
money, without praise, without social or political approval—you might
not be that happy or look that great, but you can do it—but if your
writing is essentially obedient to any of these powerful forces, its
light will slowly flicker and then go out.<br /></blockquote></blockquote>Oh, thank you, Stacy.&nbsp; I love that.&nbsp; <br /><br />Resist.&nbsp; Be true.&nbsp; Don't write agitprop, no matter how noble the goal.&nbsp; "[I]f your writing is essentially obedient to any of these powerful forces, its light will slowly flicker and then go out."&nbsp; <br /><br />I don't want that for my work, and I don't want it for yours.&nbsp; The world wants your complicated, paradoxical, messy, real art that contradicts itself and contradicts you and every unimpeachable view you'd cop to at a dinner party.&nbsp; Go ahead.&nbsp; Contain multitudes.&nbsp; The water's fine.<br /><br />The rest of <a href="http://therumpus.net/2010/07/the-blurb-18-the-long-haul/">the essay</a> is good, too.&nbsp; (Gratitude to <a href="http://www.tayarijones.com/blog/">Tayari's blog</a> for pointing me to it.)&nbsp; <br /><br />For example, I really like the appreciative yet knowing way in which D'Erasmo talks about her two communities:&nbsp; the public community of the university, which provides a necessary shelter, and the wilder, private community that nourishes, provokes, and sustains her.&nbsp; <br /><br />I'm sure others who read the essay will find their points of connection, as well as their own sticking points. For me personally, for example, I'm not sure that you can't protect your children and also write well.&nbsp; But I could be wrong, and in general, I like very much what D'Erasmo's saying.&nbsp; <br /><br />And that part above:&nbsp; that's worth framing.<br /><br />Okay, back to scrubbing, polishing, and stripping away the fat.&nbsp; <br /><br /> ]]></description>
            <link>http://joycastro.com/2010/08/resistant-values.html</link>
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            <pubDate>Fri, 06 Aug 2010 20:36:21 +0000</pubDate>
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            <title>The Joy of Teaching</title>
            <description><![CDATA[I am so knocked out by the talent of my former students!<br /><br />Faye Rapoport DesPres's lovely, wise essay, "<a href="http://www.hamiltonstone.org/hsr21nonfiction.html#uptonothing">Up to Nothing</a>," appears in the Summer 2010 issue of <i>Hamilton Stone Review</i>.&nbsp; Anyone who's ever cared for an elderly relative will resonate to the narrator's attempt to reconnect with her husband on a hiking trip--while dealing with the fact that they've left behind his mother, who doesn't want to be left.&nbsp; <br /><br />Faye's essay "<a href="http://readthebestwriting.com/?p=473">Forty-Six</a>," which examines the narrator's feelings about the loss of youth, also just appeared in the marvelous online journal <a href="http://readthebestwriting.com/"><i>Ascent</i></a>.&nbsp; Congratulations, Faye!&nbsp; These must be heady days for you.&nbsp; <br /><br />It was my privilege to work with Faye when I taught at Pine Manor College in Boston, and I hear that Pine Manor MFA student Jim Kennedy's beautiful, beautiful essay "End of the Line" was a finalist in a  contest at <a href="http://www.creativenonfiction.org/"><i>Creative Nonfiction</i></a> and will soon be published in an issue of that journal.&nbsp; <br /><br />Graduate Faye Snider's lovely essay "Goldie's Gold" was accepted recently by <a href="http://www.alimentumjournal.com/"><i>Alimentum</i></a>, and if you're a foodie and don't know about that journal, you should definitely check it out.&nbsp; Hurray, Faye!&nbsp; I look forward to reading "Goldie's Gold" again.&nbsp; <br /><br />By the way, I learned that Pine Manor is now offering <a href="http://www.pmc.edu/mfa-financial-aid">fellowships and need-based scholarships</a>, and I think that's kind of rare for a low-res program, so if you've considered pursuing an MFA and money has been an obstacle, you might want to check out their program.&nbsp; I'm no longer teaching at Pine Manor, but I love the people there and think they've got a great thing going--which is obvious from the success of their graduates!  <br /><br />Here in the Ph.D. program at UNL, Tom
Coakley, an active-duty military
officer, wrote an essay, which appeared in <a href="http://msupress.msu.edu/journals/fg/"><i>Fourth Genre</i></a>
12:1, that contends with the impossibility of describing/critiquing things
that are classified.&nbsp; (Most of us worry about what our mothers will
think if we publish this or that.&nbsp; Tom worries about being
court-martialed.)&nbsp; His <i>Fourth Genre</i> essay, <a href="http://muse.jhu.edu/journals/fourth_genre_explorations_in_nonfiction/summary/v012/12.1.coakley.html">"How to Speak about the Secret Desert Wars,"</a>
is brilliant, and if you can lay your hands on it, it will knock
you out.&nbsp; It's incisive, critical,
authoritative, experimental, beautifully written.&nbsp; He makes art out of
a hell that should never have been.<br /><br />The lovely John Chávez had 3 poems in Issue 5 of <a href="http://www.palabralitmag.com/"><i>Palabra</i></a>.&nbsp; Here's one I love:<br /><br /><br /><blockquote><blockquote><blockquote><blockquote>Just North of Nowhere<br /><br /><font style="font-size: 0.8em;">There is only one heart in my body, have mercy on me.</font><br /><font style="font-size: 0.8em;">--Franz Wright</font><br /><br />Often the changes one yearns for, <br />one has to suffer.&nbsp; Unless,<br />waiting near the undershade, the elderberry,<br />the aster, etc.,<br />&nbsp; &nbsp;&nbsp; the world is close to blooming,<br />heart-drawn in minor notes, tuned to the open sun.<br /><br />Then, how simple to assemble it all (the breaks<br />in the human vessel).<br /><br />Like a boy gripping rain on white branches,<br />you will build<br /><br />&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; a reliquary in your chest.<br />Fill it with two watts of light.<br /><br />Once filled, the moon will exit like a lullaby<br />&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; from your humming rib cage's hollow.<br />There you will find a heart,<br />&amp; waiting nightly you will sing it to sleep.<br /></blockquote></blockquote></blockquote></blockquote><br /><br />I
like the way it moves so fluidly among modes prophetic, imperative,
even elegiac--and casual, too ("etc.").&nbsp; John's vision is both tender and
clear-sighted.&nbsp; <br /><br />Aside from publishing his own work, John is
actually already in the process of editing (with Carmen Giménez Smith)
a collection of Latina/o writing that explores where the field is
moving now.&nbsp; So ambitious! <br /><br />What is wonderful is when you can
feel it a genuine honor to work with your students:&nbsp; when you can
admire them and learn from them as well as offer what you have.&nbsp; I love
teaching.&nbsp; It is a gift.<br /><br /><br /><br /> ]]></description>
            <link>http://joycastro.com/2010/08/the-joy-of-teaching.html</link>
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                <category domain="http://www.sixapart.com/ns/types#category">good news</category>
            
                <category domain="http://www.sixapart.com/ns/types#category">teaching</category>
            
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            <pubDate>Mon, 02 Aug 2010 19:34:12 +0000</pubDate>
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            <title>Good News, Good Reads</title>
            <description><![CDATA[Gentle readers, it doesn't have the sparkle or brevity of "Paris," but I have been spackling, sanding, taping, priming, and painting since we parted.&nbsp; <br /><br />Little Office, as I have unimaginatively dubbed her, needed to be ready for the phone date my agent and I are having this week about the last (please, the last) changes to THE DESIRE PROJECTS.&nbsp; Nutshell:&nbsp; he loves it--yey!&nbsp; he almost never <i>loves </i>anything:&nbsp; he's a tough, approval-withholding agent--but the manuscript is still not, if I'm understanding correctly, sufficiently foregrounding the suspenseful parts.&nbsp; I'm not sure; I'll know more after we talk.&nbsp; And then it will be time to make final revisions.&nbsp; He thinks I can finish by the end of my summer break and we can have it out at publishing houses by early fall.  <br /><br />Moreover, we are <i>this close</i> to signing the contract for ISLAND OF BONES, the collection of essays, and then I'll have some time to make revisions to that manuscript as well.&nbsp; As soon as the ink is dry, I'll divulge all the details, including the two phenomenal writers who served as outside readers for the manuscript.&nbsp; Their imprimatur is as exciting to me as the contract itself!<br /><br />Anyway, that's a lot of revising coming up, and I needed smooth, clean--and turquoise, as it turns out; turquoise won the swatch contest--walls within which to write.&nbsp; <br /><br />Readers, I'm now intimately aware of why my smarter, better off friends hire professionals to do their house-painting.&nbsp; (Have I been in here too long, or does spackling compound smell like chocolate?) <br /><br />Well, the walls are smooth turquoise now, and it looks great.&nbsp; I'm <i>enrobed</i> in turquoise.&nbsp; Please forgive my absence from the blog.&nbsp; The job had to be done.&nbsp; Thank goodness for Little Office's littleness, and for the HH's help today.<br /> <br />In other news, alas, the inimitable Sonam has abandoned Lincoln, leaving us bereft, but before
he departed he kindly gave me modernist Rebecca West's essay
"Pounce," and all of you who find cats intriguing creatures should find
it.&nbsp; (I generally don't, frankly, yet I still liked the essay, which is quite a testament to something.)&nbsp; It's included in <a href="http://www.pearhousepress.com/rebeccawest.html"><i>The Essential Rebecca West:&nbsp; Uncollected Prose</i></a>, which is just out from Pearhouse Press.&nbsp; West's prose is effervescent, surprising, delicious.&nbsp; I've always liked her work; this collection offers a chance to read things that never made it onto the beaten path.<br />
<br />
And here are a couple of other recommendations, books I've been chomping down since the semester ended:<br />
<br />
•&nbsp; the American Book Award winner <a href="http://www.uapress.arizona.edu/books/bid1334.htm"><i>When Living Was a Labor Camp</i></a>,
about California's San Joaquin Valley, by Diana García, who was born in
a migrant labor camp there.&nbsp; If you've read or taught with the terrific
anthology <a href="http://latinostories.com/"><i>Latino Boom</i></a>, you've come across the title poem, but the whole collection is well worth it.&nbsp; Here's an excerpt from "Valley Fever":<br />
<br />
<blockquote>
  <blockquote>I was a favorite niece, the only daughter<br />
and no virgin:&nbsp; the valley grew too small.<br />
So I pawned my first flute and typewriter <br />
and headed for a place that had it all--<br />
classy subtitled films, canyon-laced coast,<br />
flamed leaves to the east and desert beyond. . . .<br /><br />
  </blockquote>
</blockquote>
•&nbsp; <a href="http://www.uapress.arizona.edu/BOOKS/bid1978.htm"><i>One Island, Many Voices:&nbsp; Conversations with Cuban-American Writers</i></a>,
which includes interviews with, among others, Gustavo Pérez Firmat,
Carolina Hospital, and Achy Obejas.&nbsp; Most writers love reading
interviews with other writers; I know I'm always fascinated, always
panning for gold.&nbsp; This collection rewarded my eagerness.&nbsp; <br /><br />It
was also good for me.&nbsp; Since my own sympathies and views are postnationalist,
I'm not naturally driven, as a reader or scholar, by imperatives of
cultural nationalism, though that's how the field of literature remains chopped up, so
I don't have quite the grasp of Cuban-American literature that I should
for someone who teaches in the field of Latin@ lit.&nbsp; This collection
filled gaps for me and offered discoveries, like Dolores Prida, who now
fascinates me.<br /><br />•&nbsp;&nbsp; <a href="http://www.amazon.com/Green-Metropolis-Smaller-Driving-Sustainability/dp/B002YNS422/ref=tmm_hrd_title_0"><i>Green Metropolis:&nbsp; Why Living Smaller, Living Closer, and Driving Less Are the Keys to Sustainability</i></a>.&nbsp; The title basically says it all.&nbsp; This book explains, smartly, the rationale for most of the decisions the HH and I've been (fairly inarticulately) making for the past three years.&nbsp; The book is persuasive without being at all preachy, and <i>New Yorker</i> writer <a href="http://davidowen.typepad.com/david_owen/biography.html">David Owen</a>'s clever prose is a joy:&nbsp; clean, fluid, crisp.&nbsp; <br /><br />I'd been longing to read since it came out in 2009.&nbsp; It was worth the wait.&nbsp; I highly recommend it.&nbsp; Unswayed?&nbsp; You can <a href="http://www.davidowen.net/david_owen/2009/09/who-are-the-greenest-americans.html">read the opening here.</a> <br /><br />•&nbsp; Lastly, I am loving the stylistic and ethical clarity of Nadine Gordimer's new collection of essays, <a href="http://www.amazon.com/Telling-Times-Writing-Living-1954-2008/dp/0393066282/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1279588455&amp;sr=1-1"><i>Telling Times:&nbsp; Writing and Living, 1954-2008</i></a>, which just hit the shelves this summer.&nbsp; <i>PW</i> calls the collection "comprehensive--sometimes too comprehensive," and I can see their point.&nbsp; It's hefty.&nbsp; Nonetheless, in the best of these pieces, Gordimer models for me what a writer is supposed to be.&nbsp; Awake.&nbsp; Alert.&nbsp; Speaking.<br /> 
 ]]></description>
            <link>http://joycastro.com/2010/07/good-news-good-reads.html</link>
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                <category domain="http://www.sixapart.com/ns/types#category">good news</category>
            
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            <pubDate>Tue, 20 Jul 2010 01:32:21 +0000</pubDate>
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            <title>Todo Excited</title>
            <description><![CDATA[Fair and tender readers, I am todo excited about the proposal I submitted for a panel at the <a href="http://www.awpwriter.org/conference/2011awpconf.php">2011 AWP conference</a> in Washington, D.C.&nbsp; (No thing's a sure thing, but I'm hopeful that it'll be accepted.)<br /><br />The panel is called, "Memoir and Latinidad," and here are the rock-star panelists:<br /><br /><span class="mt-enclosure mt-enclosure-image"><a href="http://joycastro.com/Santiago.png"><img alt="" src="http://joycastro.com/assets_c/2010/07/Santiago-thumb-165x231.png" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" width="165" height="231" /></a></span><a href="http://www.esmeraldasantiago.com/">Esmeralda Santiago</a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="mt-enclosure mt-enclosure-image"><a href="http://joycastro.com/r_gonzalez.jpg"><img alt="" src="http://joycastro.com/assets_c/2010/07/r_gonzalez-thumb-165x254.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" width="165" height="254" /></a></span><a href="http://www.rigobertogonzalez.com/">Rigoberto González</a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="mt-enclosure mt-enclosure-image"><a href="http://joycastro.com/Luis%20Rodriguez.jpg"><img alt="" src="http://joycastro.com/assets_c/2010/07/Luis%20Rodriguez-thumb-165x208.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" width="165" height="208" /></a></span><a href="http://www.luisjrodriguez.com/">Luis Rodriguez</a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="mt-enclosure mt-enclosure-image"><a href="http://joycastro.com/Firmat.jpg"><img alt="" src="http://joycastro.com/assets_c/2010/07/Firmat-thumb-165x165.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" width="165" height="165" /></a></span><a href="http://www.gustavoperezfirmat.com/">Gustavo Pérez Firmat</a>.<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />In the literary world?&nbsp; Seriously:&nbsp; these folks are <i>rock stars</i>.&nbsp; I am a crazy fan of all of them, so I'm very happy that they all agreed to be on the panel.<br /><br />As you may know, U.S. Latina/o memoir has developed a rich contemporary tradition that spans the political and stylistic spectrum from Richard Rodriguez to Gloria Anzaldúa.&nbsp; But what, if anything, makes a memoir "Latina/o"?&nbsp; Does latinidad influence aesthetics and craft as well as content?&nbsp; Do contemporary Latina/o memoirists see themselves as inheriting the life-writing techniques and traditions of the U.S., or Latin America, or both?&nbsp; And--perhaps the most vexing question for working writers--how do Latina/o memoirists navigate expectations by the mainstream, broader U.S. culture that their memoirs will represent whole cultures and nations? <br /><br />These are the questions these amazing writers will be discussing.&nbsp; I can't wait to hear their conversation.&nbsp; (I will just be moderating.)<br /><br />A panel addressing this specific conjunction of genre and ethnicity will be new for AWP, too.&nbsp; The conference has never showcased anything like this before, and it's very relevant.&nbsp; As the role of Latinos in the U.S. continues to spark national controversy (ay, Arizona), a discussion of the literary construction of self will contribute to the articulation and understanding of Latina/o identity, politics, &amp; aesthetics.&nbsp; <br /><br />Since all four of the panelists are established senior writers, they'll bring the maturity of long reflection, as well as a diversity of cultural and political backgrounds--Chicano (Rodriguez y González), Cuban-American (Pérez Firmat), and Puerto Rican (Santiago)--to this important public conversation.&nbsp; <br /><br />These panelists have been serious community activists, too.&nbsp; Por ejemplo, L.A.'s <a href="http://www.tiachucha.com/">Tia Chucha Centro Cultural</a> was co-founded by Luis J. Rodriguez, who has worked against gang violence and the socioeconomic injustices that foster it for many years.&nbsp; Tia Chucha's annual benefit, featuring Perla Batalla, Ceci Bastida, Kristina Wong, and National Book Award finalist <a href="http://aalbc.com/authors/wandacoleman.htm">Wanda Coleman</a>, is <a href="http://fordtheatres.org/en/events/details/id/87">coming up on August 1st</a>.&nbsp; If you'll be in the L.A. area, check out a good thing!<br /><br />And if you'll be at AWP in D.C. next February, come to our panel "Memoir and Latinidad"!&nbsp; (If it gets accepted.&nbsp; Fingers crossed.)&nbsp; Maybe we'll see each other there!<br /><br /><br /><br /><br /><div><br /></div><div><br /></div><div><br /></div>]]></description>
            <link>http://joycastro.com/2010/07/todo-excited.html</link>
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                <category domain="http://www.sixapart.com/ns/types#category">Latina/o</category>
            
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            <pubDate>Tue, 13 Jul 2010 17:13:39 +0000</pubDate>
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            <title>Happy to Be Back</title>
            <description><![CDATA[Thank you for checking back!&nbsp; And my apologies are in order:&nbsp; though I carefully composed 8 blog-posts to be published automatically while I was gone, I learned upon my return that the automatic-publishing function had failed.&nbsp; I'm sorry!&nbsp; Thank you for your persistence.&nbsp; <br /><br />Readers, to quote a favorite poet:&nbsp; <i><a href="http://www.poetryfoundation.org/archive/poem.html?id=176622">I have been to Paris since we parted.</a></i>&nbsp; And Amsterdam, and the Cinque Terre, and Venice, Umbria, New Orleans, Austin--all spiced with heavy helpings of family, family, family.&nbsp; This month of incredible, dazzling traveling (and interpersonal family dynamics in full, illuminating bloom) will keep me ruminating and writing for weeks and months to come.<br /><br />But for now, I just wanted to share this happy news from David Brooks's <a href="http://www.nytimes.com/2010/07/09/opinion/09brooks.html?_r=1&amp;ref=todayspaper">column</a> in today's <i>NYTimes</i>:<br /><br /><blockquote>Recently, book publishers got some good news. Researchers gave 852
disadvantaged students 12 books (of their own choosing) to take home at
the end of the school year. They did this for three successive years.<br /><br />Then the researchers, led by Richard Allington of the University of
Tennessee, looked at those students’ test scores. They found that the
students who brought the books home had significantly higher reading
scores than other students. These students were less affected by the
“summer slide” — the decline that especially afflicts lower-income
students during the vacation months. In fact, just having those 12
books seemed to have as much positive effect as attending summer school.<br /></blockquote>I was excited, because I'd returned from Austin, where my sister-in-law Cool Julie manages a bookstore, with a totebag full of books for my "Little Sister" Amara.&nbsp; Julie hand-picked several novels that her female teen customers are finding hot right now, so here's hoping Amara likes some of them.&nbsp; Usually, we book-shop together.&nbsp; Amara picks the novels, and then we both read and discuss them.&nbsp; (Readers, it has taken me outside my usual zones of taste.&nbsp; Yeah.&nbsp; But it has been pretty cool, too.)<br /><br />David Brooks, of course (with whom I'd say I have a love-hate relationship, except it's more tepid than that) manages to use this good news about the efficacy of reading in the service of a larger argument that privileges hierarchies, elitism, and prestige, using the language of all the Great-Books proponents who've ever made you yawn.&nbsp; <br /><br />But still, good news is good news.&nbsp; This summer, consider treating the disadvantaged teen of your choice to a dozen books of his or hers.&nbsp; Let books make a difference.&nbsp; <a href="http://www.amazon.com/Essential-Rumi-Jalal-al-Din/dp/0062509594">Let the beauty you love be what you do.</a> <br /><br /><br /><br /><br /><br /><br />&nbsp; ]]></description>
            <link>http://joycastro.com/2010/07/happy-to-be-back.html</link>
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            <pubDate>Fri, 09 Jul 2010 18:31:36 +0000</pubDate>
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            <title>Buongiorno!</title>
            <description><![CDATA[Hello, hello!&nbsp; <br /><br />Note to readers:&nbsp; This is a mostly personal post, so if you just tune in for the literary things, skip this one.&nbsp; The next several will be bookish.<br /><br />That said, the Handsome Husband and I are just back from Oberlin, Ohio, a tiny town with excellent little restaurants, a fine new coffeeshop--the Slow Train Café--and the marvelous vintage Apollo theater, all refurbished to its former glory with help from Oberlin alumni.&nbsp; The college's architecture is eclectic and beautiful, and the town has a rich history of activist engagement with progressive and liberatory politics, from the Underground Railroad to women's rights.&nbsp; Lorain, Toni Morrison's hometown, is just to the north.&nbsp; If you're ever in Cleveland for the day, I recommend a quick side-trip to both towns.<br /><br />All of which is just context for the fact of my heart, which is that we got to spend 5 days with Grey as he went through graduation.&nbsp; Every mother waxes rhapsodic about her children, so I'll just hold my tongue and not rattle on about what a sweet, kind, well-liked, talented young man he is.&nbsp; I'll just say it was wonderful to catch up with him, meet his friends, and observe him in the campus environment that has become his natural habitat these last four years.&nbsp; It was a joy.&nbsp; Leaving him behind was (understatement of the year) a wrench.&nbsp; <br /><br />However, I'm so glad to report that he has found employment--even if it's just washing dishes in an Oberlin dining hall for the summer.&nbsp; A paycheck is a paycheck, and manual labor is important.&nbsp;&nbsp; Despite the scary unemployment statistics for people in Grey's age bracket, we <i>really</i> didn't want to encourage the failure-to-launch syndrome by making our sofa too inviting, so we're glad it has worked out.&nbsp; At summer's end, he plans to move to a very cool West-Coast city to live with friends and look for work more suited to his interests.<br /><br />But, fair and tender readers, I had barely unpacked, when it was time to pack again.&nbsp; Due entirely to the generosity of my birthmother, Sharon (whom you might know a little about from <i>The Truth Book</i>), I'm heading out for a voyage across Europe.&nbsp; My brother--not Tony, the one I grew up with and who figures so largely in that abovementioned narrative, but Sharon's son--is about to marry the Italian woman he fell in love with on a study-abroad program twelve years ago.&nbsp; Since then, they've been carrying on a transatlantic romance, and now it's time to make it all official.&nbsp; They'll wed in a church in the tiny Umbrian hill town of San Gemini (which is too small to even show up on any of the maps I've consulted; it's near Terni, if you know the area).&nbsp; It's a fortress town and very old.<br /><br />Sharon decided to make an odyssey of it, so I'll be flying with her, her husband, and my sister Lisa from Chicago to Amsterdam this Wednesday, then going to Paris, then Genoa, then the Cinque Terre, then Venice, and finally to San Gemini for the nuptial festivities.&nbsp; Heavens!&nbsp; I'm not a person who's traveled very much as an adult--and, if I can confide something a little embarrassing, I've been jonesing for Venice since, as a child in Miami, I was taken to the <a href="http://www.coralgablesvenetianpool.com/Gallery/Gallery.html">Venetian Pool</a> in Coral Gables, which I found a utopian bliss-scape.&nbsp; It's like longing for Paris because you once saw an imitation of the Eiffel Tower in Vegas; not exactly Jamesian, but there you have it.&nbsp; <br /><br />So anyway, this is <i>extremely</i> exciting for me.&nbsp; It's an astonishing opportunity, and I'm thrilled.<br /><br />The places will be, of course, amazing, but the trip itself--the traveling, the being in train cars and hotel rooms--should be very interesting as well, particularly because I'll be rooming with my sister--my half-sister, technically--for over two weeks, and I don't know her well.&nbsp; We didn't grow up together, and from what I do know, we're very different.&nbsp; <i>Very</i> different.&nbsp; In almost every way.&nbsp; (Just to sketch a sense:&nbsp; she's 33, single, and a bartender, whereas I'm 42, long married, and an English professor--the very recipe for <i>staid</i>.&nbsp; I'll say no more.)&nbsp; Yet half of our DNA is the same, and I've always liked her when we've spent brief periods of time together.&nbsp; Two weeks of being roomies, gallivanting across the continent, should be <i>fascinating</i>. <br /><br />Reports to come (she murmured mysteriously, tossing her red silk dress into her case). <br /><br /><br />  ]]></description>
            <link>http://joycastro.com/2010/06/buongiorno.html</link>
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                <category domain="http://www.sixapart.com/ns/types#category">adoption</category>
            
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            <pubDate>Mon, 07 Jun 2010 15:29:27 +0000</pubDate>
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            <title>Getting By with a Little Help</title>
            <description><![CDATA[Many thanks to Faye for pointing out the gender of<i> all</i> of the editorial gatekeepers of the 2010 <i>Best American</i> collections in <a href="http://shelf-life.ew.com/2010/02/17/exclusive-houghton-mifflin-announces-new-best-american-guest-editors/">this literary news</a> I completely missed.&nbsp; Father Knows Best, anyone?<br /><br />Another essential <a href="http://www.tayarijones.com/blog/archives/2010/05/tough_love_from.html">gem for writers</a> by Tayari.<br /><br />Congratulations to my cool friend <a href="http://www.harpercollins.com/authors/35596/Kristin_Naca/index.aspx">Naca</a> for having her first, gorgeous book of poetry, <a href="http://www.amazon.com/Bird-Eating-Poems-National-Poetry/dp/0061782343/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1274887543&amp;sr=1-1"><i>Bird Eating Bird</i></a>, nominated for a Lambda award.&nbsp; I still remember reading it in manuscript and being quietly blown away--before Yusef Komunyaaka picked it for the National Poetry Series.&nbsp; Good luck, Naca!&nbsp; Amelia blogs about the Lammys <a href="http://ameliamontes.com/2010/03/lambda-literary-awards-orale-for-our-latina-writers.html">here</a>.<br /><br />Big abrazos to <a href="http://qclubbooks.blogspot.com/">Belinda Acosta</a>, who was <a href="http://joycastro.com/2009/07/qa-with-novelist-belinda-acost.html">interviewed here</a> on this blog, for winning the International Latino Book Award for Best First Book for <a href="http://www.amazon.com/Damas-Dramas-Ana-Ruiz-Quincea%C3%B1era/dp/044654051X/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1274887258&amp;sr=1-1"><i>Damas, Dramas, and Ana Ruiz</i></a>, her debut novel.&nbsp; The sequel, <a href="http://www.amazon.com/Sisters-Strangers-Starting-Quincea%C3%B1era-Novel/dp/0446540528/ref=sr_1_3?ie=UTF8&amp;s=books&amp;qid=1274887258&amp;sr=1-3">Sisters, Strangers, and Starting Over</a>, is due out this July, and it's already making lists of recommended books and getting good press.&nbsp; Watch for it.  <br /><br />To see all the winners of the International Latino Book Awards, go <a href="http://www.box.net/shared/8nqc287g0p">here</a>.&nbsp;  Marjorie Agosín, whose work I have long loved, took home the award for best biography for <a href="http://www.amazon.com/Earth-Sea-Chilean-Memoir-Camino/dp/0816526664/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1274887450&amp;sr=1-1">Of Earth and Sea:&nbsp; A Chilean Memoir</a>.<br /><br />Good things happening for good people!&nbsp; ¡Órale!<br /><br />Gentle readers, on Monday I FedExed the new and improved (and improved, and improved) manuscript of THE DESIRE PROJECTS, a literary noir novel, to my agent.&nbsp; My fingers are crossed!<br /><br />Here's the elevator blurb for it:<br /><br /><blockquote><blockquote>During and after the chaos of Katrina, over a thousand released sex offenders (required by Megan's Law to register their whereabouts with law enforcement) went off the grid.&nbsp; Nola Céspedes*, a mouthy young cubana cub reporter for the <i>Times-Picayune</i> who grew up in the Desire Projects of New Orleans, gets assigned a feature story she doesn't want:&nbsp; to explore the human realities behind the statistics on child molesters' rates of recidivism, their rehabilitation, their reception back into the community--just as a seven-year-old girl disappears from the French Quarter.<br /><br />And then things get personal.<br /></blockquote></blockquote>The blurb still sounds a little wonky to me, but you get the picture.&nbsp; If you can think of ways to make it more inviting, <i>let me know</i>.&nbsp; <br /><br />When I first conceived the project, I thought it would be cool to try to blend literary writing with the suspense of a thriller and the fun conventions of chica lit.&nbsp; However, no such blending occurred.&nbsp; What has finally emerged is more like a <i>collision</i> between noir and chick lit.&nbsp; A five-car pile-up.&nbsp; Nola, the protagonist, just took over (with nods to Dashiell Hammett, James M. Cain, Walter Mosley, Sara Paretsky, Kate Atkinson . . .).&nbsp; We'll see.&nbsp; It wants to be a beach read for smart people.&nbsp; Or a smart read for beach people.&nbsp; I don't know.<br /><br />Many, many thanks to the good friends who read early versions of the book as it struggled to find its feet:&nbsp; <a href="http://svcwbooks.blogspot.com/2009/12/sandra-scofield.html">Sandra Scofield</a>, Barbara Brandt, <a href="http://www.montevallo.edu/english/mlf/">Bryn Chancellor</a> (third one down), Grey Castro, and the Handsome Husband.&nbsp; THE DESIRE PROJECTS has changed so much, you'll barely recognize it!<br /><br />Speaking of Baby Greyby, we fly out <i>tomorrow</i> to see him graduate from Oberlin.&nbsp; I'm todo excited &amp; Mama-giddy.&nbsp; <br /><br />Graduation may not be the biggest achievement of his life thus far, but it is by far the biggest achievement of mine--bigger than writing books, or tenure, or anything.&nbsp; Here's why.&nbsp; Grey is a sweethearted, artsy, slacker guy who would much rather skateboard than study, bless his heart (as we say in the South).&nbsp; On the up-side, he breathes, he lives in his body, he's kind and open and thoughtful and non-judgmental--not to mention a great songwriter.&nbsp; All amazing, wonderful things.<br /><br />For me, as someone who's always been academically driven and ambitious by nature (or perhaps by necessity)--and who's truly had to fight her own judgmental, impatient inclinations--this has been a tough personal challenge.&nbsp; How to accept and support who Grey <i>really is</i>, at heart, while still equipping him responsibly for his future?&nbsp; <br /><br />If he ends up being able to skateboard and write songs for a living, great.&nbsp; But if not, he'll need a fallback position.&nbsp; It's a parent's job to think about that, however uncool or un-fun it makes us.&nbsp; (And I say this even as a devoted artist.&nbsp; Publishing stories in little magazines was hardly gonna pay the rent.)<br /><br />Seeing him graduate from a good school at 21, debt-free, with good grades, has been a <i>long haul</i>, people, but he has done great, and we couldn't be prouder.<br /><br />Or more relieved.&nbsp; At the graduation ceremony, I may faint.<br /><br />So at the tail end of this graduation season, here's to all the parents.&nbsp; <i>Respect.&nbsp; Solidarity.</i>&nbsp; You've worked so hard, and you've made sacrifices no one will ever see.&nbsp; A good education is probably the second-best gift you can give your children, and it's huge.<br /><br />Moreover, an ethical, kind, well educated young adult is one of the best gifts you can give to our shared community.&nbsp; So <i>thank you</i>.<br /><br /><br /><br /><br />*<font style="font-size: 0.8em;">Yes, Cuban history buffs, her last name is no accident.</font><br /> ]]></description>
            <link>http://joycastro.com/2010/05/getting-by-with-a-little-help.html</link>
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                <category domain="http://www.sixapart.com/ns/types#category">good news</category>
            
                <category domain="http://www.sixapart.com/ns/types#category">on the move</category>
            
                <category domain="http://www.sixapart.com/ns/types#category">writers</category>
            
            
            <pubDate>Wed, 26 May 2010 15:40:43 +0000</pubDate>
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            <title>Good Sense from Three Women</title>
            <description><![CDATA[Thanks to <a href="http://www.nytimes.com/2010/05/19/opinion/19dowd.html?hp">Maureen Dowd</a> for today's quotable quote:<br /><br /><blockquote><blockquote>If roughly one out of nine Americans is gay, why shouldn’t one out of nine Supreme Court justices be?<br /></blockquote></blockquote>Rock 'n' roll, Maureen.&nbsp; Thanks for having more guts than the White House's PR machine.<br /><br />Onto more literary issues:&nbsp; I love <a href="http://www.tayarijones.com/blog/archives/2010/05/censor_yourself.html">this post about writerly self-censorship</a> by Tayari Jones so much, I'm going to link to it from my syllabus.&nbsp; It's a classic:&nbsp; sane, sound, humane.&nbsp; If you're a writer, read it.&nbsp; If you teach aspiring writers, send them there.<br /><br />And in terms of dishing too-much-information in your memoir, I had to laugh out loud when I read this <a href="http://www.elle.com/Pop-Culture/Movies-TV-Music-Books/Diary-of-a-TV-Killer-Sarah-Silverman">interview</a> with Sarah Silverman about her new book <i>The Bedwetter</i>:<br /><br /><blockquote><blockquote>Q:&nbsp; Your former boyfriend Jimmy Kimmel is barely mentioned.&nbsp; Why did you refrain from spilling your secrets?<br /><br />SS:&nbsp; I guess mostly because I'm not a desperate douchey scumbag.<br /><br /></blockquote></blockquote> And on that note, gentle readers, I'm back to work.<br />]]></description>
            <link>http://joycastro.com/2010/05/good-sense-from-three-women.html</link>
            <guid>http://joycastro.com/2010/05/good-sense-from-three-women.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">culture &amp; politics</category>
            
                <category domain="http://www.sixapart.com/ns/types#category">writers</category>
            
            
            <pubDate>Wed, 19 May 2010 15:15:34 +0000</pubDate>
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            <title>Aparigraha--and a Question for Writers</title>
            <description><![CDATA[The other day, I happened to be at a bookstore with a new acquaintance, browsing.&nbsp; She came up and said, "Did you find anything you can't live without?"<br /><br />Without thinking, I laughed and said, "No, I'm great at living without things I really want."<br /><br />Which made me think.&nbsp; I'm no fan of asceticism for its own sake, and I do buy stuff.&nbsp; But we've been on a relatively careful budget for many years now (so much so that many well-to-do people's new "economies," due to the downturn, just seem funny).&nbsp; <br /><br />We--James &amp; I--both enjoy being generous; we like to treat, to give gifts to other people (which is good, so we don't have to argue about it; we share the hospitality gene).&nbsp; And my job has sometimes meant having to pretend to have more than I do in those work-social situations that are semi-required (like, bringing a nice bottle of wine to a colleague's dinner party when you're already putting groceries on the credit card that month and should probably stay home, eat a peanut-butter sandwich, and watch <i>The Daily Show)</i>.&nbsp; We've foregone a lot of things we've personally wanted over the years, and we've kept up appearances, more or less.&nbsp; I think that's just life as most people live it.<br /><br />Looking ahead, though, to the moment when our Pride-&amp;-Joy crosses the stage and we owe Oberlin nothing, has got me thinking about aparigraha, one of the five Yamas, or restraints, from the Yoga Sutra.&nbsp; Aparigraha means limiting possessions to what is necessary or important.&nbsp; (The other four have to do with refraining from injuring anyone, lying to anyone, including yourself, and coveting things, and sexual purity, which means either celibacy or (whew!) faithful monogamy.)&nbsp; <br /><br />I like the five Yamas and aspire to them--they make you feel clean and simple in the world, and they help keep you from messing up.  <br /><br />But the difficult part of aparigraha, "limiting possessions to what is necessary or important," is, of course, that defining <i>necessary</i> and <i>important</i> is left up to you, and <i>important</i>, in particular, leaves a lot of wiggle room.<br /><br />I'm thinking about this as I look ahead to furnishing my wee office.&nbsp; Maybe blogging about this in the midst of a global economic crisis shows how hopelessly out of touch and insensitive I am.&nbsp; I'm not sure.&nbsp; But there are two things I'd really like to have, so I'm weighing their necessity and importance.&nbsp; <br /><br /><span class="mt-enclosure mt-enclosure-image"><img alt="" src="http://joycastro.com/img79s.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="120" width="120" /></span>First, I'd like to have a chaise.&nbsp; I draft by hand, with my notebook propped on my knees, and I like to sit somewhere squishy and super-comfortable while I do.&nbsp; (I've often drafted in bed.)&nbsp; Only when my brain drifts comfortably free from my body, in a quasi-dream state, do the images and lines start to arrive.&nbsp; <br /><br />So a chaise would be ideal:&nbsp; half-chair, half-bed, all squish.<br /><br />And then comes the part when I have to type the good bits into computer files, so the other thing I'd like to acquire is <a href="http://www.nytimes.com/2010/04/22/technology/personaltech/22basics.html">a stand-up desk</a>.&nbsp; Right now, I have a little table that the former owners of our house in Indiana left behind thirteen years ago.&nbsp; It's about the right size, but it's wildly uncomfortable to sit at--wrong height--and I get fidgety, anyway, when I sit here.&nbsp; It's like I have <i>slightly</i> too much energy to sit obediently, like my own good clerical assistant, and type things in.&nbsp; I get restless, and the energy has nowhere to go, and so I start wanting to eat ginger snaps or drink a soda or bite my nails.&nbsp; Ugh.&nbsp; <br /><br />Thus the stand-up desk.&nbsp; <br /><br />So I <i>think</i> I want to commit to planning to save for those, but honestly, this whole room-of-one's-own thing is still unsettling for me, however pleased Woolf would be.&nbsp; Fact is, I've been writing for years without any of these luxurious accoutrements.&nbsp; The whole enterprise, while delicious, smacks of bloated self-indulgence--but that just could be my poor-kid-background talking, or the whole Jehovah's-Witness thing about eschewing materialism still ringing in my back-brain.<br /><br />So I'm curious about you several writers out there.&nbsp; What <i>necessary</i> and <i>important</i> accommodations do you make to help your writing flourish?&nbsp; How do you feel about them?&nbsp; Do they share the status of guilty pleasures, or are they factored matter-of-factly into your budget like groceries and toothpaste?&nbsp; How do you balance them against other imperatives in your life and in the world?<br />&nbsp;  <br /><br /><br /> ]]></description>
            <link>http://joycastro.com/2010/05/aparigrahaand-a-question-for-w.html</link>
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                <category domain="http://www.sixapart.com/ns/types#category">writers</category>
            
            
            <pubDate>Fri, 14 May 2010 21:43:46 +0000</pubDate>
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